Bibliografia complementar

William Henry Fox Talbot — The Pencil of Nature

William MitchellWhat is an image?

Joaquim Pinto VieiraHistória Pessoal da Imagem

Laszlo Moholy-NagyPintura, Fotografia, Filme

(Neste link conseguem ter acesso aos restantes números da colecção https://monoskop.org/Bauhaus)

John BergerWays of seeing

Vilém FlusserTowards A Philosophy of Photography

Walter BenjaminIlluminations

Jonathan CRARY,  Techniques of the Observer

Chris MARKER, “Immemory, (Liner notes from original English edition of Immemory)”, in Notes from the Era of Imperfect Memory, 1997

Susan SONTAG, On Photography. Farrar, Straus and Giroux, Nova Iorque 1973.

Peter GALASSI, Before Photography: Painting and the Invention of Photography, [exh.cat.]. New York: The Museum of Modern Art, 1981.

Rosalind KRAUSS, Bachelors, London/Cambridge, The MIT Press, 1999.

Geoffrey BATCHEN, Each Wild Idea: Writing, Photography, History, London/Cambridge, The MIT Press, 2000.

Hito Steyerl, In Defense of the Poor Image, Journal #10 – November 2009
https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/

Susana Lourenço Marques, Falso acaso ou possível coincidência, Dafne Editora, 2010
http://dafne.pt/pt/coleccoes/opusculos/falso-acaso-e-possivel-coincidencia

Susana Lourenço Marques, Cópia e apropriação da obra de arte na modernidade, dissertação de mestrado FCSH.UNL, 2007: https://repositorio-aberto.up.pt/handle/10216/13366

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Aula 1 — Resumo

Aula 2 — Resumo

Aula 3 — Resumo

Aula 4 — Resumo

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