Bibliografia

Alain-Michaud, Phillippe (2007), Aby Warburg and the image in motion, Cambridge, Massachusetts, The MIT Press.

Armstrong, Carol (1998), Scenes in a Library: Reading the photograph in the book. 1843-1875. Cambridge, Massachusetts, The MIT Press.

Baecque, Antoine de (2008), L’histoire-caméra. Paris, Éditions Gallimard.

Bann, Stephen (1990), The inventions of history. Essays on the representation of the past. Manchester, NY, Manchester University Press.

Barthes, Roland (1964), La rhétorique de l’image. (Barthes, Roland, O óbvio e o obtuso. Lisboa, Edições 70, 1984).

Barthes, Roland (1980), La chambre claire. Note sur la photographie. (Barthes, Roland, A câmara clara, Edições 70, 1989)

Batchen, Geoffrey (2004), Forget me not. Photography & Remembrance. New York, Princeton Architectural Press.

Batchen, Geoffrey (2009), Photography Degree Zero: Reflection’s on Roland Barthes’s Camera Lucida. Cambridge, Massachusetts, The MIT Press.

Baudrillard, Jean (1981), Simulacres et Simulation. (Baudrillard, Jean, Simulacros e Simulação. Lisboa, Relógio d’Água Editores, 1991).

Bellour, Raymond (2002), LEntre-images: Photo, Cinéma, Vídeo. Paris, Éditions de la Différence.

Benjamin, Walter, A modernidade, Lisboa, Assírio & Alvim, 2006

Benjamin, Walter (1982), Das Passagen-Werk. (Benjamin, Walter, Le livre des passages, Paris Capitale du XIXe Siécle, Paris, Les Éditions du Cerf, 2002).

Berger, John (1972), Ways of Seeing. London, Penguin Books.

Berger, John (1980), About Looking. London, Writers and Readers Publishing Cooperative.

Bolter, Jay David; Grusin, Richard (2000), Remediation: Understanding New Media. Cambridge, Massachusetts, The MIT Press.

Borges, Jorge Luis (1998), Obras completas, 1923-1949. (vol. 1) Lisboa, Editorial Teorema.

Burgin, Victor (1996), In/Different Spaces. Place and Memory in Visual Culture. Berkeley, Los Angeles, University of California Press.

Cadava, Eduardo (1997), Words of Light, theses on the photography of history. New Jersey, Princeton University Press.

Carroll, Lewis (1865), Alice’s Adventures in Wonderland. (carroll, Lewis, Aventuras de Alice no País das Maravilhas, Lisboa, Editora Afrodite, 1971)

Crary, Jonathan (1990), Techniques of the Observer, On Vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts, The MIT Press.

Dallenbach, Lucien (1977), Le récit spéculaire, essai sur la mise en abyme. Paris, Éditions du Seuil.

Deleuze, Gilles (1983), Cinéma 1. L’image mouvement. (deleuze, Gilles, A imagem-movimento, Cinema 1, Lisboa, Assírio & Alvim, 2004).

Deleuze, Gilles (1985), Cinéma 2. L’image temps. Paris, Les Éditions de Minuit.

Derrida, Jacques (2000), Die Fotografie als Kopie, Archiv und Signatur: Im Gespräch mit Hubertus von Amelunxen und Michael Wetzel. (Derrida, Jacques, Copy, Archive, Signature, a conversation on Photography, Stanford, Stanford University Press, 2010).

Derrida, Jacques (2008), Mal d’Archive. Paris, Éditions Galilée.

Didi-huberman, Georges (2000), Devant le temps, Histoire de l’art et anachronisme des images. Paris, Les Éditions de Minuit.

Didi-huberman, Georges (2002), L’image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg. Paris, Les Éditions de Minuit.

Didi-huberman, Georges (2009), Quand les imagens prennent position, l’Oeil de l’Histoire 1. Paris, Les Éditions de Minuit.

Didi-huberman, Georges (2010), Remontages du temps subi, l’Oeil de l’Histoire 2. Paris, Les Éditions de Minuit.

Didi-huberman, Georges (2011), Atlas, Cómo llevar el mundo a cuestas?. Madrid, Museo Nacional Centro de Arte Reina Sofia.

Flüsser, Vilém (1983), Für eine Philosophie der Photographie. (Flüsser, Vilém, Ensaio sobre a fotografia, para uma filosofia da técnica. Lisboa, Relógio d’Água, 1998).

Foucault, Michel (1966), Les mots et les choses. (Foucault, Michel, As palavras e as coisas, uma arqueologia das ciências humanas, Lisboa, Edições 70, 1991)

Foucault, Michel (1975), La peinture photogenique. (Foucault, Michel, Estética: Literatura e Pintura, Música e Cinema, Rio de Janeiro, Forense Universitária, 2006).

Fernandez, Horacio (1999), Fotografia pública – Photography in Print 1919-1939. Madrid, Museo Nacional Centro de Arte Reina Sofía.

Holland, Patricia (1997), «‘Sweet is to scan…’: personal photographs and popular photography». (Wells, Liz, Photography: A Critical Introduction, London, Routledge, 2004).

Ivins, William M. (1969), Prints and Visual Communication. Cambridge, Massachusetts, The MIT Press.

Jeffrey, Ian (1999), Revisions: an alternative history of photography. Bradford, The National Museum of Photography, Film and Television.

Kracauer, Siegfried (1969), History: the last thing before the Last. New York, Oxford University Press.

Manovich, Lev (1995), «The paradoxes of digital Photography», in Photography After Photography: Memory and Representation in the Digital Age (1996), Munich, Dap-distributed Art.

Manovich, Lev (2001), The Language of New Media. Cambridge, Massachusetts, The MIT Press.

Moholy-nagy, Lászlò (1969), Painting, Photography, Film. London, Lund Humphries Publishers.

Rampley, M. (2000), The remembrance of things past. On Aby Warburg and Walter Benjamin. Wiesbanden, Harrassowitz Verlag.

Stafford, Barbara Maria; terpak, Frances (2001), Devices of Wonder, from the world in a box to images in a screen. Los Angeles, Getty Publications.

Stafford, Barbara Maria (2001), Visual Analogy: Consciousness As the Art of Connecting. Cambridge, MIT Press.

Talbot, William Henry Fox (1844-46), The Pencil of Nature. (Talbot, William Henry Fox, The Pencil of Nature, New York, Da Capo Press, 1969).

Tufte, Edward (1983), Visual Display of Quantitative Information, Chesire, Graphics Press.

Warburg, Aby (2003), Der Bilderatlas Mnemosyne. Berlin, Akademie Verlag GmbH.

Anúncios